Abstract
Worked bucrania and figural representations of masked men dating from the 12
th
-5
th
centuries BCE provide striking evidence for ritual performances using animal masks in ancient Cyprus. This study flips the traditional approach to this rich body of material. Rather than focusing on the cult or the socio-political contexts of these performances, I instead explore the production of zoomorphic masks and the impact of masking on the wearer. Drawing on new approaches pioneered in social zooarchaeology and using New Materialities perspectives, this analysis delves deeper into the human-animal relationship in Cyprus and how that was expressed in masking ceremonies. Moving beyond simplistic associations of bull masks with a vaguely defined bull god, this study argues for a more complex and integrated relationship between humans and the natural world that was expressed in Cypriot religion through divine animal attributes, animal sacrifice and feasting, and zoomorphic masking rituals.