Abstract
This article attempts to understand the representations of American exceptionalism in Indian diasporic popular film through an analysis of reconfiguration of model minority racialization in Gurinder Chadha's films Bend It Like Beckham and Bride and Prejudice. The films underscore that the model minority racialization of Indians in the United States is being constructed in transnational South Asian diasporic framework through an engagement with British imperial history and the British colonial subject, and with Indian nationalism. While United States’ imperialist structures invoke model minority racialization in form, they simultaneously evacuate its content through racialization of Indians as potential terrorists. Thus, in a post–9/11 world marked by convergences between racialization processes of Britain and United States, the Indian diaspora is characterized by a project of transnational racial management. The diaspora is, thus, structured by management of anxieties generated by Indian gendered and racialized bodies: anxieties of economic success gendered male are diffused through fear of potential terrorists; anxieties of sexual and cultural purity are managed by racialization of women as native informants, who come to embody continuities between the national and the global.